Drawing from natural materials and inspired by found objects, these works reflect themes of life and death, environmental concerns, and the transient essence of our existence.
Heartlands
commissioned residency and site-specific installation
Cornwall
The hand is cast from my own, holding lead soldiers who carry a stretcher of bullet shells. As wars rage on—in Gaza, in Ukraine—I think constantly of the lives lost, the children suffering, and the violence that never seems to end. This sculpture is my protest, my heartbreak, and my way of trying to process the unbearable
This sculpture is a reflection on the relationship between humans and the natural landscape. I cast my hand, holding a dead bee on my finger, symbolising the fragility of life and the impact of human activity on the environment. The addition of a found transparent plastic heart emphasises the emotional connection we share with nature and the inherent vulnerability of both the bee and our ecosystem.
This work reflects on immigration, movement and the human need to find safety and belonging. The hand becomes a symbol of welcome, compassion and connection, while the compass suggests journeys, uncertainty and the search for direction. The blue bird represents freedom and hope — a reminder of our shared humanity and the importance of extending compassion to those who are forced to leave one place in search of another. The gun represents not only the violence people may be escaping, but also the hostility and violence that can be directed towards migrants and those seeking refuge.
My artistic practice is an exploration of how materiality informs narrative construction. Each object collected contributes to a larger story that speaks to shared human experiences. The interplay between form and content becomes a means through which I articulate complex themes surrounding existence and connection.
