A Tapestry of Connection Phase II

Clarity and Connection

This blog marks the beginning of A Tapestry of Connection – Phase II: Clarity and Connection. This new phase grows directly from the original A Tapestry of Connection project, which was supported by VACMA and centred on a mile-long stretch of the Hebridean Way. The work explored human interaction within the landscape, observing how people move through, respond to and leave traces within their environment. Through this process, I experimented with photopolymer printing reflecting on both physical presence and quieter, less visible forms of connection.

Much of my studio work during the first phase was highly experimental, focusing on learning and testing photopolymer techniques and processes. Through sustained trial and error, I explored different approaches to exposure, mark-making and plate development. While this period of experimentation did not produce a large body of finished work, it was essential in building technical understanding. From this process, I was able to resolve one final image, which I developed into a small edition of prints.

Phase II builds directly on this foundation. The studio work moving forward will draw on the knowledge gained through this earlier experimentation, allowing me to work with greater confidence and intention as I push my photopolymer printing results further.

A part of the first phase was working alongside two adult non-verbal autistic day care users. I developed and delivered two workshop sessions during this initial phase. The structure and focus of the workshops were informed by my prior fieldwork and observations within the setting, shaping how the sessions were approached and the kinds of activities explored. Across these initial workshop sessions, the work was largely observational, offering a valuable first insight into how the participants engage and respond. While these early sessions were informative, their limited number restricted the level of collaboration possible.

With the support of the Day Care Service, Craigard and a grant from Creative Scotland, the next phase will involve six workshops, allowing for more sustained engagement and a more collaborative way of working. I now have a clearer understanding of how the participants work and what they enjoy, this extended timeframe will enable the project to develop with greater depth and responsiveness.

This blog will act as a space to reflect on making, collaboration and the evolving relationships between people, place and print as this next phase unfolds.

supported by an Open Fund award from Creative Scotland.